Freddie Gibbs & Madlib Detail “Pinata”, Premier “Robes” (ft. Domo Genesis, Earl Sweatshirt)

Posted: February 2, 2014 by ericbernsen in Music, News, Songs/Videos
Tags: , , , , , , , ,

News of Freddie Gibbs and Madlib coming together for a collaborative project surfaced awhile ago. There was a long period of time in which the two released stellar records (“Thuggin”, “Deeper”, “Shame”), but no definitive release date for the project was ever announced. Luckily enough, this has changed and we now know that Pinata will be available on March 18th and the LP will have 17 tracks featuring the likes of Mac Miller, Ab-Soul, Raekwon, Scarface, BJ the Chicago Kid, and Danny Brown. Quite a stacked line-up to say the least and if this list wasn’t enough, Freddie Gibbs and Madlib premiered the Earl Sweatshirt/Domo Genesis featured “Robes” on BBC Radio 1 last week as well as a detailed press release about the album. 

“Robes” features Freddie Gibbs and the Odd Future spitters rhyming over the signature jazzy production of Madlib. Domo Genesis and Earl Sweatshirt ride the mellowed out beat nicely, and the chemistry between Freddie Gibbs and Madlib is present once again. Although only a radio-rip is available at the moment, “Robes” will certainly be a welcomed addition to Pinata. The official press release for the LP goes into great detail regarding the background of the project and describes how the musical connection between Freddie Gibbs and Madlib is a special one:

Freddie Gibbs is the product of violent, drug-laden streets, but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona. Piñata, a 17-track collaboration with producer Madlib, is the best distillation yet of his transparent approach to making music, combining stark honesty with electrifying talent as a lyricist and performer.

Piñata is “a gangster Blaxploitation film on wax,” Gibbs says, and the full-length result of a process that began in 2009. It’s an album with a sound that couldn’t be any further from the radio, where, according to the Gibbs, every rapper is Superman, or the dope dealer of the century, who has grinded to the top, never made a mistake and has no chinks in his armor.

“I will show you my flaws, I’ll show you what I’ve done wrong and what I’ve fucked up at,” says the native of Gary, Indiana, the former steel town best known for producing Michael Jackson. “I don’t regret shit, but I’ll show you the things I’m not proud of.”

Gibbs is joined on Piñata by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries. While this is the latest in a series of single-artist collaborations for Madlib, after Jaylib (J Dilla), Madvillainy (MF Doom) and the street-centric O.J. Simpson with Detroit’s Guilty Simpson, the pairing is unique as it is the first time for Gibbs working with just one producer.

There’s also Madlib’s own self-awareness of his style as a producer. “My stuff, it ain’t fully quantized…it has more of a human feel, so it might slow down or speed up,” he says. “So you have to be the type of rapper, like Doom or Freddie, who can catch that, or else you’ll be sounding crazy.”

Gibbs admits it was a challenge rapping over beats with chops and changes as unpredictable as the man who created them, but says-with conviction and supreme confidence-“I think I did it to perfection.”

The perfection is apparent on the album, where Gibbs shifts from textbook lessons in robbing and drugging on tracks like “Scarface” and “Knicks,” to perhaps the album’s most personal song, “Broken,” a collaboration with Scarface, who, along with Tupac, DMX and 50 Cent, make up the rapper’s own Mount Rushmore of MCs (“You’re getting a hurricane of all those motherfuckers hitting you at once when you listen to Freddie Gibbs,” he says). “Deeper,” a Gibbs favorite and the third single from the album after “Thuggin'” (2012) and “Shame,” (2013) is an ode to hip-hop in the mold of Common’s “I Used to Love H.E.R.”; “High,” featuring Danny Brown, is self-explanatory and just what you would expect from Gibbs, Madlib and one of Detroit’s finest; while on “Real,” Gibbs addresses an old score just as Michael Corleone settled all family business on baptism day.

It’s tracks like “Real” that makes fans believe Gibbs’ claim that “I’m about to show niggas how to rap again.” And he’s just as loyal. “As long as I keep satisfying them,” he says, “everybody else is going to fall in line.

As a producer, Madlib, quite simply, is music, and ten years into his career-a time when other artists become comfortable-Gibbs remains restless, focused, with an eye on the competition and their position relative to his ascent. This is because mentally, he’s still on the corner hustling, which would be the downfall of the average rapper. Gibbs, however, isn’t average.

“When it comes to the nuts and bolts, the nitty gritty of this shit, flat-out spitting verse for verse,” he says. “Niggas ain’t on my level.”

After letting all of that info sink in, we can safely assume that Pinata is capable of living up the high expectations surrounding the project.

Listen to “Robes” below and let us know what you think! 

 

 

 

 

 

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